Hendrix’s beloved acoustic up for sale


It’s hard to picture Jimi Hendrix without a strat in hand, but apparently, his Epiphone FT 79 acoustic was the one guitar he owned the longest, and now it’s up for grabs.

“Jimi Hendrix owned this guitar for almost three years – longer than any other documented Hendrix guitar – whilst at his artistic and creative peak and it was his constant companion for a significant part of this time,” writes Bonhams – the company auctioning the guitar next month. “He can be seen playing an identical guitar in the photograph illustrated in this catalogue, taken in London in 1967. Jimi paid for this Epiphone with money earned from Monterey and the subsequent American concerts and it was bought, as Noel Redding recalled ‘second hand, for about $25, in New York after our first tour of the States and brought back to England with us on the plane’. Jimi must have been playing the guitar during the subsequent weeks spent recording, jamming and performing in New York, Washington DC and Los Angeles because a strap-button positioned for a left handed musician is clearly visible in photographs taken of the Experience posing on the tarmac at Heathrow Airport on August 21st, 1967.”

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The guitar is expected to fetch upwards of $150,000, though I wouldn’t be surprised if it goes for more.

“Jimi’s return home from America with new guitars (when the psychedelic ‘Flying V’ also made its first appearance) was no surprise to Kathy Etchingham, his girlfriend at the time. The acoustic Epiphone became Jimi’s favoured instrument at their Upper Berkeley Street flat where, she has said, ‘it was used very, very heavily, continuously, all the time. Jimi had music coming out of every pore. One minute he’d be eating his breakfast, the next he’d say ‘hey’ and pick up the guitar and play the riffs in his head – only he could hear what he was hearing – and he would go through the words as well.’ Manager Chas Chandler remarked that Jimi was so attached to his guitar that he would even take it to the bathroom with him. Kathy: ‘We shared the flat in Upper Berkeley Street with Chas and Lotta, but had our own bathroom. Ours was fully tiled and had no window but a beautiful echo, a good sound that Jimi liked so he would sit on the loo and play!’ Hendrix had already moved from a basement flat in Montagu Square following complaints about the noise and the acoustic Epiphone came into its own at Upper Berkeley Street where, Kathy remembers, ‘Jimi used it for almost everything he composed in this country, as he didn’t use an amp until the move to Brook Street, and in any case Chas would never have allowed it in case we disturbed the neighbours because we’d upset them in Montagu Square and Chas didn’t want to be chucked out of a second flat.’ When working on a song ‘Jimi would pick up and then play the acoustic, then pick up a Strat and play that unplugged, listening to it without an amp. He constantly played it to work out riffs and song arrangements including his own version of Dylan’s “All Along The Watchtower”.’

“The guitar continued to be used regularly following Jimi’s move to Brook Street, around the time ‘Electric Ladyland’ was completed, and can be seen in photographs taken at this time. Jimi was captured on film playing this distinctive guitar on at least one occasion, most notably when Jimi performed Elvis Presley’s ‘Hound Dog’ at the after-show party following The Experience’s Royal Albert Hall concert of February 18th 1969. Visitors to Brook Street at this time remember the guitar was ‘always within arm’s reach, usually beside the bed and, invariably, played at raucous parties!’ In March 1970 Jimi gave the Epiphone to Alan Parker, guitarist with Blue Mink, having been introduced to him by Kathy’s friend, Blue Mink’s singer Madeleine Bell. The guitar was subsequently used by Parker on numerous recordings and film soundtracks including those by Dusty Springfield, Walker Brothers, Blue Mink, Paul McCartney and on David Bowie’s ‘Diamond Dogs’.”

Check out Bonhams for more details. Photo credit: Bonhams.

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